Post-production, VFX and 3D, wherever the project works best.

Versión en español
Cinema camera set up during a shoot

Post-production, VFX and 3D

Light goes in. The work comes out.

We are a post-production, visual effects and 3D integration studio. We take your footage, fresh from the shoot or halfway done, all the way to the final master.

From raw footage to the final master.

Post-production, visual effects and 3D are our core. Executive production, software and games come in when the project calls for them.

Editing, color grading, visual effects, 3D element integration, sound and deliveries for festivals, cinema or streaming, in a single pipeline. We work with an open breakdown and budget from day one.

  • Editing
  • Color
  • VFX and compositing
  • 3D integration
  • Sound mixing
  • Masters and DCP
See post-production and VFX
Professional post-production suite

We turn a viable idea into a production that can happen: we organize scope, budget, schedule, crew and vendors. We spot the critical points early and propose a path the project can sustain.

  • Budget
  • Schedule
  • Production plan
  • Crew coordination
See executive production
Producer at the monitors on a film set while the crew prepares the shot

We design websites, internal platforms and tools that solve a specific problem. We favor clear logic, maintainable systems and a handoff the team can run without depending on us.

  • Websites and stores
  • Internal platforms
  • Automation
  • Integrations
See custom software
Developer working at night in front of two monitors with code and a node graph

We build playable prototypes, immersive experiences and simulators for training or brands. We go from the design document to a version you can test, measure and keep developing.

  • Prototypes
  • Virtual and augmented reality
  • Simulation
  • Brand experiences
See games and interactive
Man testing a virtual reality experience in front of an LED wall in a studio

Three worlds, one craft.

Video monitors on a film set while the crew prepares the shot

Feature films

Full post-production, VFX and festival deliveries.

Advertising studio with professional lighting

Advertising

Commercials, VFX for brands and versions for every format.

Digital development workspace with creative tools

Development

Platforms, tools and interactive experiences.

A prism doesn't invent colors. It orders what was already in the light. That's what we do with every project.

A Chilean post-production, VFX and 3D studio.

Quinto Prisma is a post-production, visual effects and 3D integration studio. We work with production companies, agencies and filmmakers in film, series and advertising, from the first cut to the final masters.

We are a bilingual team, in Spanish and English, and remote from the start. We coordinate with productions in Chile and abroad, and we travel when the project needs us on set.

Beyond the image, we build software and interactive experiences, so story, image and technology move forward as one piece.

Specialties

  • Editing
  • Color grading
  • VFX and compositing
  • 3D integration
  • Sound
  • Masters and DCP

Pipeline & Standards

  • ACES Color Workflow
  • DaVinci Resolve Studio
  • Apple ProRes 4444 XQ
  • DCI-DCP Cine
  • Unreal Engine
  • Nuke / Blender

How we work, from the first conversation to delivery.

No blind deliveries. Every stage ends in something you can review, and the scope, decisions and progress stay visible throughout the project.

  1. 01

    We talk

    We review the footage, the state of the project and the date you need to hit.

    You getA clear read of the project and the next steps.

  2. 02

    We break it down

    We define scope, timeline and line-item costs before we start.

    You getA line-item budget and a schedule.

  3. 03

    We produce

    We move in stages, with versions you can review and comment on.

    You getCuts, versions and traceable decisions.

  4. 04

    We deliver and archive

    We prepare each delivery for its destination and leave everything in order.

    You getMasters, source files and documentation.

Wherever the project works best.

We have been a remote team from the start. If the project needs a set, we show up on set. If it needs focus, we work thousands of kilometers away without adding distance to the process. We choose where the team works best and adapt presence, hours and tools to each client.

For you, that means something simple: visible progress, quick decisions and the right team connected when it matters.

Let's talk about working together
Portable production station connected to a cinema camera on set

What's worth clearing up before we start.

Yes. We are a bilingual team, in Spanish and English, and remote work is part of how we normally produce. We travel when the project needs us on set or next to the team.

It depends on the scope. Before we start, we deliver a line-item breakdown and an estimated timeline so every decision is visible from day one.

Yes. We review the footage, the code or the actual state of the production and propose a concrete path to move it forward.

We set channels, owners and reviewable deliveries from day one, and adapt schedules, presence and tools to the way each client works.

Yes. You can hire a single stage, such as editing, color, VFX or the mix, or the full process up to the masters. We define it together in the breakdown.

We prepare each delivery for its destination: masters for streaming platforms, DCP for cinemas and festivals, and the versions each channel needs. Before we start, we confirm the specs each destination requires.

We agree on them in the breakdown, along with the scope and timeline. Every stage ends in a version you can review and comment on, so changes come in on time rather than at the end.

The available footage or a description of where the project stands, any references or decisions already made, and the delivery date and destination. If something is missing, we talk it through.